This link describes a little bit about what Salvador Dali and Luis Brunel were trying to do, or trying not to do, is put any kind of significant meaning into the film. The Criteria for the shots were as long as it was shocking, and that it had to not be explained why.
The Straight Dope: In Un Chien Andalou, is a real eyeball being sliced?
A very interesting piece of film nonetheless, it makes me think about human nature and the kind of unexplained behavioural aspects to our species, which at times can be very 'surreal' and 'random'?
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